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a break ...

messages are scarce this summer, I make a break into the world of marriage yet. The latest one was memorable, but I feel drained! The wed'bloggeuse I was and I still will be back in a few weeks for new adventures wedding!

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Ethics Charter Consulting PLE

Ethics is unfortunately now a hackneyed value. Notwithstanding

with PLE Consulting, I attempt to put into practice in my work, more than a set of principles of good conduct, professional ethics within a moral code.

For the future of books and reading really is my daily concern.

As strange or stupid or inappropriate, as it may seem for a consultant, my goal is not earn much money by selling wind (or applications), reformulating professionals to inter the book they themselves say and want to hear an echo in their revenue-peddle solutions that will be obsolete tomorrow.

Train informing

In the moral framework that I have of my own free will decided to apply in the exercise of my business consultant, the main tasks that I gives are:

- Bringing the sector stakeholders of the print edition, and publishing digital.

- Inform all partners in the chain of printed books, authors to readers, issues of digitizing books.

- Training professionals informing them, the aim being to give them a historical perspective and futurist just so they can develop appropriate strategies and sustainable, responsible, too.

- Train by informing young people of the book chains, but also communication and advertising, marketing, management and mediation of cultural projects, design and engineering culture, on Publishing century. encourage vocations.

is also the implementation of this moral code that gives this blog its originality and editorial specific resolutely opposed, both parrots and commercial blogs.

Prospective Book and Edit - Lorenzo Soccavo - http://lorenzo.soccavo.free.fr

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Richard Hell's novel version Millet against the beautiful digital optimism

The catchy title (Hell's novel), a bit commercial (but c is fair game), quite imperfectly expresses what it is and as the subtitle says happily: the 'Reflections on postlittérature .

C ar, and in fact I confirmed: "We have entered era postlittéraire, Assen rightly the author. A specter is haunting the literature: the novel has become so hegemonic that all the literature seems to reduce it. Kills the romance novel: the novel International, tasteless, no style, immediately translatable into English, or translated to English, the only purpose of a literature without another story that the game's simulacra, its plagiarism of its fake currency. .

C ette postlittérature is it fully comparable to the "World Literature" invasive (Millet, at the end reader further back in the roots of evil seems to me there), however it is expressed widely in all cases, these products printed and derivatives, which are not only global, but also, in my opinion Millet due to stress with this emphasis, anglicised, that is to say, in fact, Americanized.

D years my reading of this essay, which seems to refuse to be one, its shape, form and rhythm which are intended to marry more thinking and moods, that the structure of the page, the page printed, and thus closer to the flow line, and that all these verses numbered in the bottom could very well be "posts" blog, in my reading of "Hell's novel" So, I am attached to postlittéraire discern how this era was combined with the transition from print publishing to digital publishing. Obsession.

Clearly, the question I ask myself is: how the transition from print publishing to digital publishing would sign it, or he would participate, the apotheosis of what Richard Millet means and denounces postlittéraire like?
He gives us only a few tracks in this sense:

"The screens on which various read the novels are not a sign of possible survival of literature, but it can finish ad'en with the all-fiction to enter [my italics] the beyond novel. .

To think (with the share of optimism, hope in any case, this beyond the novel).

2984 from George Orwell

N it, it's not a typo.

Richard Millet recalls in his book, Orwell said that "the disintegration of language is a sign of political degradation, and this degradation prelude to totalitarianism. .

The futuristic novel 1984, not 1984 that called because Orwell wrote in 1948.

A u look transformations that we live or where we can be direct or indirect witnesses, I wonder if this very seriously cons-utopia (dystopia) would not be prescient (?). The to-come. In 2984?

I always read "1984" George Orwell's thinking of "Fahrenheit 451" (from 1953) by Ray Bradbury. (And I intend to reread "The Messenger" by Eric-Bürckel Blessing.)

Publishers want revenue?

T ll these reflections are close to my "Theory of the Five Rings" that I might soon be an opportunity to express once again here in a few days, I hope, a renewed relevance and sharp, incisive.

The stakes are far beyond the horizon to small to accumulate, and practitioners who see the short term without precise methodology, especially not of strategic vision in the medium and long term, will share responsibility, regardless of the future.

U not nice person told me recently that what the publishers want, willy nilly, passed today in digital, are "revenue". Implied, of the concrete, practical, metadata, DRM, ONIX and tutti quanti.

Notwithstanding, the double meaning of the word "recipe" is ironic I think.

On Hell's novel, Richard Millet

A

read, reading Cyril de Pins on Boojum -Mag. His conclusion: "Hell of the novel" could also mean "entertainment," entertainment, consumption, "bestseller", this last expression honestly say that it is no longer a question of aesthetic experience, but to commercial experience. Therefore, this one has the financial strength which determines the forms, the language of the transaction and the terms of the contract. "A

listen, recent interview with Richard Millet Laurence Plazenet the BPI :" Write, write, why? "

Hell's novel, Richard Millet, Gallimard, September 2010, 276 pp., € 18.90.

Prospective Book and Edit - Lorenzo Soccavo - http://lorenzo.soccavo.free.fr

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From the fiery presence of reading and Hachette

The function of the book from us, readers, is dependent on our situation history. Dependent on the context and the evolution of the society in which we live, also dependent from the previous century financialisation processes of cultural industries.

not forget that since the decree No. 2009-1393 11 November 2009 concerning the missions and organization of the headquarters of the Department of Culture and Communication, books and reading are dependent, in terms of their administrative dependence and the granting of subsidies, a branch of media and cultural industries.

Formerly the book, in conjunction with the theater or opera, performed a number of functions, both in private and societal, one influencing the other and vice versa, functions filled, progressively, painting and the arts of illustration, the press, radio, cinema, television, and now largely beyond the internet and the internet onboard.

Irreducible vs. unpredictable and unavoidable

D the current year and any hypothetical (r) evolution of the book in late 2010, we would make from the irreducible (this would be irreducible in the reading), the unpredictable (what we can not foresee - the unexpected, or even predict), and especially of the inevitable (that we can not avoid). I ask

the question: what can we, inhabitants of the 21st century, we imagine what our ancestors thought, felt and lived, at times crossing the Ideographs alphabets, rolls to codices, publishing handwritten editing Printed ...

Despite breaking fruitful introduced by Febvre and Martin in 1958 in their "The appearance of the book," transhistorical dimension is too often absent from the development strategies of the publication, focused on short-term profitability.

The postures are and tools to write and read have yet over time was so different from ours. How the actors of the 15th century they received, compared to the rest of us, changes in the book? They lived in another universe.

go back further in time. Listen for a moment Pascal Quignard (Small treaties I): "I see another world. Scribe, in the Middle Ages in the West, in his frock, front pages of calves skinned, surrounded by his razor, his chalk, his stone pumice, its horns beef - red and black ink wells - of his spectacles, magnifying glasses, his knife to carve the bird feathers, its rule for the line. (Folio Edition, Page 398, XVII Treaty: Liber).

Also recognize that there are some historical distortions at least unusual: the Hundred Years War, for example, which opposed the dynasty of the Plantagenets to the Capetian House of Valois, and who ultimately had no such influence on European integration, however, is much discussed in history classes that the development of printing with movable type, whose influence was considerable and, in some ways, continues today .

historical representations conveyed by the time (all ages) deserve to be further interviewed.

A hus, we have evidence that historically the previous mutations of books and reading, such as those, precisely, the transition from scroll to codex, or, the transition from manuscript editing to editing printed, have their times, profoundly changed society, and they have impacted cultural but also socio-political, undeniable.

But we also know that today it is common and just see the impact that digital book, after you reconfigure the markets of the disc, Photo and video, to mention here that cultural property.

be or not be the ally of its gravediggers?

N assist us not so in fact, more or less unconscious and almost powerless, the sinking of the book in the entertainment market, and that of reading in social networks (read social) ?

This alleged history of books that we would be going through, and yet of course, for those who only read the book and still have some significance, does it really revolution today societal, cultural, or, would it just a tiny part of a broader revolution?

mutations that we feel in the book industry would not they that the effects of battering industries of electronics and entertainment, game lobbies and mobile operators, not now factors acting on the company and generating new practices of communication between members of the human community?

A oday it is the social networks that generate new practices of communication between members of the human community, not Moreover, as before, epistolary networks is the sharing of online videos that took over the movable type printing was driving on the roads of Europe and new America.

edition (digital, digital incidentally or accidentally? Partially or fully digital?) Of the 21st century thus appears to us in late 2010 as a giant puzzle to order, but whose plays "culture chart" and "written culture" would be pushed to the periphery.

"Without doubt this is [...], writes Henri-Jean Martin (in his concluding sentence of his book "History and powers of the written word" - Albin Michel, 1996), the mission of our generation understand that to our descendants that technical progress does not necessarily imply the rejection of ill-considered contributions from the past. .

Deciphering the world remains, at the beginning of the third millennium AD, the main clearing activity of the human species.

Ultimately, everything is still and all book. So to read.

Hence, what I call and feel as well: the presence of fiery reading.

Prospective Book and Edit - Lorenzo Soccavo - http://lorenzo.soccavo.free.fr