The catchy title (Hell's novel), a bit commercial (but c is fair game), quite imperfectly expresses what it is and as the subtitle says happily: the 'Reflections on postlittérature .
C ar, and in fact I confirmed: "We have entered era postlittéraire, Assen rightly the author. A specter is haunting the literature: the novel has become so hegemonic that all the literature seems to reduce it. Kills the romance novel: the novel International, tasteless, no style, immediately translatable into English, or translated to English, the only purpose of a literature without another story that the game's simulacra, its plagiarism of its fake currency. .
C ette postlittérature is it fully comparable to the "World Literature" invasive (Millet, at the end reader further back in the roots of evil seems to me there), however it is expressed widely in all cases, these products printed and derivatives, which are not only global, but also, in my opinion Millet due to stress with this emphasis, anglicised, that is to say, in fact, Americanized.
D years my reading of this essay, which seems to refuse to be one, its shape, form and rhythm which are intended to marry more thinking and moods, that the structure of the page, the page printed, and thus closer to the flow line, and that all these verses numbered in the bottom could very well be "posts" blog, in my reading of "Hell's novel" So, I am attached to postlittéraire discern how this era was combined with the transition from print publishing to digital publishing. Obsession.
Clearly, the question I ask myself is: how the transition from print publishing to digital publishing would sign it, or he would participate, the apotheosis of what Richard Millet means and denounces postlittéraire like?
He gives us only a few tracks in this sense:
He gives us only a few tracks in this sense:
"The screens on which various read the novels are not a sign of possible survival of literature, but it can finish ad'en with the all-fiction to enter [my italics] the beyond novel. .
To think (with the share of optimism, hope in any case, this beyond the novel).
2984 from George Orwell
N it, it's not a typo.
Richard Millet recalls in his book, Orwell said that "the disintegration of language is a sign of political degradation, and this degradation prelude to totalitarianism. .
The futuristic novel 1984, not 1984 that called because Orwell wrote in 1948.
A u look transformations that we live or where we can be direct or indirect witnesses, I wonder if this very seriously cons-utopia (dystopia) would not be prescient (?). The to-come. In 2984?
I always read "1984" George Orwell's thinking of "Fahrenheit 451" (from 1953) by Ray Bradbury. (And I intend to reread "The Messenger" by Eric-Bürckel Blessing.)
Publishers want revenue?
T ll these reflections are close to my "Theory of the Five Rings" that I might soon be an opportunity to express once again here in a few days, I hope, a renewed relevance and sharp, incisive.
The stakes are far beyond the horizon to small to accumulate, and practitioners who see the short term without precise methodology, especially not of strategic vision in the medium and long term, will share responsibility, regardless of the future.
U not nice person told me recently that what the publishers want, willy nilly, passed today in digital, are "revenue". Implied, of the concrete, practical, metadata, DRM, ONIX and tutti quanti.
Notwithstanding, the double meaning of the word "recipe" is ironic I think.
On Hell's novel, Richard Millet
read, reading Cyril de Pins on Boojum -Mag. His conclusion: "Hell of the novel" could also mean "entertainment," entertainment, consumption, "bestseller", this last expression honestly say that it is no longer a question of aesthetic experience, but to commercial experience. Therefore, this one has the financial strength which determines the forms, the language of the transaction and the terms of the contract. "A
listen, recent interview with Richard Millet Laurence Plazenet the BPI :" Write, write, why? "
Hell's novel, Richard Millet, Gallimard, September 2010, 276 pp., € 18.90.
Prospective Book and Edit - Lorenzo Soccavo - http://lorenzo.soccavo.free.fr 
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